Idelle Kursman

It has been almost a month since my father-in-law passed away. He used to call us all the time and was very outspoken in his opinions. I found in the first few weeks that something in our lives was missing, but now it is sinking in that he is gone and we must return to our everyday lives. What has helped is discussing our memories of him.

I admit I have had trouble concentrating on writing lately with all my reflections. But Thursday is the day to put up my post and so I am putting forth a great deal of effort into getting my blog written.

When it comes to writing novels, I am a pantser—that is, I write from the seat of my pants. I don’t plot scenes, develop characters, or map out the hero’s journey before I begin writing. This method worked for my first novel, True Mercy, but I’ve run into some issues in my second novel.

I began as usual, developing characters and writing the plot as I went along. After editing the story numerous times, I sent it off to my editor. Unlike the first novel which grabbed her interest right away, she had a lot of questions and problems with the story. She wrote comments such as one of my main characters was selfish and she was critical of the dynamics of each family in the novel.  I edited some more and not satisfied with her critique, I decided I needed a second opinion. Mind you, editors are expensive, but I was not satisfied. I also had to face up to the truth that the story needed a great deal more work. In my opinion, which I admit is subjective, I thought this novel has potential and I wanted someone who appreciated the story and help me improve it.  After doing research, I found a second editor. She indicated to me the novel has merits but with a caveat—she said I needed to rewrite the whole story. This editor told me if I was not willing to rewrite, she would understand, there would be no hard feelings, and she would give me a partial refund.

But rightly or wrongly, I couldn’t give up. I rewrote the whole novel. Time will only tell whether all my hours of effort and hard work were worth it.

After all this work, I am exhausted and can’t wait to send it off and get rid of it. I have vowed that if I ever write another novel, I will HAVE TO PLOT IT OUT AND DEVELOP THE CHARACTERS BEFORE I BEGIN THE ACTUAL WRITING PROCESS because I honestly don’t think I could go through rewriting the whole story again.

However, upon reflection, when I wrote True Mercy, I did in fact rewrite the whole story—it took me four years before I published it. But back then, writing a novel was, well, a novel thing for me to do. The whole experience was new and fresh. I couldn’t wait to publish it and have people read my work. Going into my second novel, I hoped the whole process would become a lot easier, but it wasn’t. That’s why I want to try the plotter approach next time. Plotting the novel is supposed to be very demanding in the beginning as the author develops the characters and charts out the events that take place in the story before the actual writing process begins. Other writers have told me it is better to do the hard work in the beginning so the editing process is easier and less frustrating. What’s more, they tell me the book is written more quickly. I plan on giving it a try.